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Michael Seaver
writings on dance and culture
Recent writings :
Block Party
There were lots of toys at the Block Party and unfortunately the invited guests weren't allowed to play. A shame, because the performers looked like they were having such fun. Robbie Harris directed fellow percussionists with wide eyes, grins and approving nods, while six dancers spilled in and out of structures they had created with giant spongy blocks.
The blocks were the real stars - bright rectangles, circles and triangles that transformed into couches, houses and anything else you chose to take from abstract piles. Choreographic material was suitably restrained to joyous leaps, sprints and occasional personal dance licks, as play took over. There was a certain lack of spontaneity, and although some amount of pre-planning was necessary, things seemed staged rather than improvised or even fake-improvised. A small quibble because, like the children's equivalent, these blocks have limitless possibilities.
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Forthcoming reviews include a review of Colin Dunne's new work, Out of Time. (The Irish Times).
Reviews by Publication
The Irish Times
Ballet Tanz
Dance Europe
Irish Theatre Magazine
Reviews by companies
Irish contemporary dance
European contemporary dance
American contemporary dance
Irish ballet
International ballet
Others
Did I make you up?
"Although the lengthy programme notes describe creative points of departure, the place of arrival in Did I Make You Up? is a simple reflection on love that has a sense of timelessness. Contemporary and old-fashioned speak with equal voice as three lonely individuals bask in the glow of idealised love."
(The Irish Times)
James son of James
"Michael Keegan Dolan's self-styled midlands trilogy has come full cycle and returned to the territory of its first instalment, Giselle. Not only is the show back within the focussed confines of the Samuel Beckett Theatre's square stage after the sprawling, emotionally barren peat hills of The Bull, but there is also a return to the moral territory of good versus evil."
(www.irishtheatremagazine.com)