Welcome to michaelseaver.net
Michael Seaver
writings on dance and culture
Most recent writings :
| Companies A - H | |
| Acrobat | Acrobat |
| Art Bridgman and Myrna Packer | Under the Skin |
| Ballet Freiburg Pretty Ugly | The Art of Fugue |
| Ballet Ireland | Alice |
| The Nutcracker | |
| Ballet Fireworks | |
| Jerome Bel | Jerome Bel |
| Nick Bryson | Bog Feature |
| Rosemay Butcher | Scan |
| Charles Linehan Dance Company | Happy Days and New Quartet |
| Grand Junction (performed by Dance Theatre of Ireland) | |
| Cie Laroque | Tropea |
| Cie Willi Dorner | three seconds, no credits |
| Ciotóg | How did we get Here? |
| Ella Clarke | Shutter |
| Coisceim Dance Theatre | Knots |
| The Nutcracker | |
| Chamber Made - Room 409 | |
| Hanging on by a Thread | |
| Mermaids | |
| Out of Harms Way | |
| Core Dance Company | Nova |
| Cork City Ballet | Ballet Spectacular |
| Finola Cronin | The Murder Ballads |
| Daghdha Dance Company | Sediments of an Ordinary Mind (2003) |
| Sediments of an Ordinary Mind (2007) | |
| Once beneath the Skin | |
| The Yellow Room | |
| Reverse Psychology | |
| Limerick Trilogy | |
| Daksha Sheth Dance Company | Sarpagati |
| Dance Theatre of Ireland | Watermark |
| Between You & Me | |
| As A Matter Of Fact | |
| Exodus and Grand Junction | |
| DCM | Serial Paradise |
| Derevo | Islands In The Stream |
| Déjà Donné | In Bella Copia |
| Dislocate | Risk Reduction |
| Diversions | Practice Paradise, Oakfield Ridge, Between |
| Psycho-delia and Monolith | |
| Earthfall | At Swim Two Boys |
| I Can't Stand Up | |
| Echo Echo | Under Observation, Tenderised |
| Eeeugh!topia | Eeeugh!topia |
| El Descueve | Hermosura |
| Fabulous Beast | Giselle |
| Flowerbed | |
| Vania Gala | Automatic ID (AID) |
| Yasmeen Godder | Sudden Birds |
| half angel | Spinstern |
| The Secret Project | |
| Deborah Hay | The Ridge |
| Wolfgang Hoffman and Sven Till | Pandora 88 |
| I - P >> |
Reviews by Publication
The Irish Times
Ballet Tanz
Dance Europe
Irish Theatre Magazine
Reviews by companies
Irish contemporary dance
European contemporary dance
American contemporary dance
Irish ballet
International ballet
Others
Did I make you up?
"Although the lengthy programme notes describe creative points of departure, the place of arrival in Did I Make You Up? is a simple reflection on love that has a sense of timelessness. Contemporary and old-fashioned speak with equal voice as three lonely individuals bask in the glow of idealised love."
(The Irish Times)
James son of James
"Michael Keegan Dolan's self-styled midlands trilogy has come full cycle and returned to the territory of its first instalment, Giselle. Not only is the show back within the focussed confines of the Samuel Beckett Theatre's square stage after the sprawling, emotionally barren peat hills of The Bull, but there is also a return to the moral territory of good versus evil."
(www.irishtheatremagazine.com)
Traces
Les 7 doigts de la main/The 7 Fingers
"Circus has left the tent, acquired the word "new" and now slaps it out on stage with more traditional theatrical forms. Some shows have retained the virtuosity and immediacy of the ring and metamorphosed into riveting theatrical experiences. Traces isn't one of them."
(The Irish Times)